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Soft Cell's Creative Genius Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) established Soft Cell with Marc Almond in Leeds during 1977

The talented musician, one half of the groundbreaking 1980s synth-pop band Soft Cell, has passed away at the age of 66.

Together with singer Marc Almond, the duo scored a worldwide hit with their cover of Gloria Jones' Tainted Love in 1984, and their first record their initial full-length release is considered a seminal work of electronic music.

He subsequently founded the pioneering electronic act The Grid, who achieved popular acclaim with their 1994 single the hit Swamp Thing.

Ball passed away peacefully in his rest at his home in London on Wednesday 22 October, only a short time after performing a headline show with Soft Cell at the Rewind music event in Henley-on-Thames.

Health Struggles

At that performance, Ball appeared in a wheelchair, as he had for the previous couple of years, after a period of health issues.

"I ended up injure myself quite a bit," he stated in a recent interview. "I broke spinal bones in my spine and cracked about five ribs and broke my wrist."

Following contracting pneumonia and developing blood poisoning, he was placed in an medically-induced sleep and remained in hospital for half a year.

Nevertheless, he had been in "high spirits emotionally" over the warmer months, as he worked on a new album with Almond, titled the upcoming Danceteria, which is scheduled for release next year.

"He was concentrated and so happy with the latest project that we actually finished only a few days ago," stated the singer in a tribute.
"It's truly heartbreaking as next year was completely planned to be such an uplifting time for him, and I take some solace from the fact that he heard the finished record and felt that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the forefront of the electronic music scene in the beginning of the decade

Heartfelt Messages

Almond described his collaborator as "an exceptionally talented creative mastermind", stating: "He was the core essence of Soft Cell and I'm extremely pleased of our body of work.

"Many thanks Dave for being an immense aspect of my existence and for the songs you created with me. I wouldn't be where I am without you."

Richard Norris from The Grid, also paid tribute, remembering Ball's "constant humor" and "steadfast support".

"Being in a partnership with someone is different from being in a group, the bond is very tight," he added.
"That's how it was with us. We experienced so many extraordinary, incredible, memorable experiences as a team. Thank you, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in recent years

Early Life

Brought into the world into a single-parent household in the city of Chester in the late 50s, Ball was put up for adoption when he was 18 months of age.

He was raised in the seaside town with his new family his caregivers, who changed his first name from Paul to his adopted name, alongside his younger sister his sister, who was similarly welcomed.

He met Almond at Leeds Polytechnic in 1977, where they were both studying fine arts. Inspired by a shared love of a music genre, they formed Soft Cell the very year, and promptly produced an EP.

Creative Collaboration

The pair were an distinctive combination: Ball was the quiet musician, hunched over his keyboard, while Almond was a charismatic showman, all sparkle and makeup; but they achieved a rare musical alchemy.

Ball had cultivated a fascination with electronic instruments after viewing the band Kraftwerk appear on BBC program Tomorrow's World, and started to combine moody electronic sounds to the soaring melodies Almond was composing.

Their signature song became the UK's second most popular single of 1981, selling millions of units globally. Alongside successful tracks by Gary Numan, Human League and Ultravox, it contributed to paved the path for the synth-pop sound of the 1980s.

The track was also featured on their first album, Non-Stop Erotic Cabaret, which produced two further top five hits: Bedsitter and Say Hello, Wave Goodbye.

They followed the record up with the stand-alone single, Torch, which peaked at number two in the following year.

Soft Cell in the studio
The pair were working on fresh songs right up until Ball's death

Professional Journey

Success had its benefits. "I loved being able to afford my first home, having financial security and exploring, which makes me sound like a beauty queen," Ball not long ago told with a music magazine.

But it also presented problems. "Sudden riches allowed we could purchase substances to relieve the boredom" of media interviews and TV performances, Ball explained.

"I know that's a cliché, but it's a cliché for a good reason, because it applies for so many musicians."

Amidst the party-filled existence, the duo were also drifting apart, but they succeeded to create a second classic album - the unconventional, tense and aptly-titled The Art Of Falling Apart.

They put out one more LP, their 1984 release This Last Night In Sodom, before dissolving the group to focus on individual endeavors.

Almond proceeded to have a successful individual path, including the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed dance music with ambient pop over a enduring partnership.

Reunions and Final Projects

Soft Cell came back together in 2001, releasing the Top 40 album Cruelty Without Beauty.

Following another hiatus, they reappeared in 2018, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a farewell show at the large venue on September 30, 2018.

Yet, they remained active, recording their latest project, Happiness Not Included, during the 2020 restrictions.

Ball lately described the duo's new album as a homage to the NYC nightlife they visited while making their initial records.

He added that his time in hospital had influenced the band's sound.

"I had strange recollections when I was in and out of the hospital because I was on pain medication," he told a publication.
"Our latest tracks are a digital reflection of the noises in my head from that time.
"In parallel, it's about the experiences we had in the 80s."

The last versions were finished only a short time before Ball passed away. It is due for release in Spring 2026.

By

Stephanie Stevenson

Elena is a cultural critic and essayist exploring the intersections of technology, identity, and daily life in the digital age.

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